Our Founder
BLANCHE FISCHER

Blanche Fischer was a woman of remarkable character—dedicated, pragmatic, and delightfully irreverent, with a sharp wit that could light up any room. As Sue Jenkins, former Library Director, fondly recalled, Blanche was a frequent visitor to the library, always bringing laughter, wisdom, and an unwavering commitment to making a difference in the world around her.
Blanche was also a talented artist and painter, using her creativity as another means of expression. Her artwork reflected her keen observation of the world, depth of thought, and appreciation for beauty and strength—qualities that also defined her advocacy and philanthropic vision.
Although Blanche passed away on May 8, 1980, her legacy of empowerment and advocacy lives on. She had the foresight to carefully establish a trust, ensuring that her vision would continue beyond her lifetime. In 1981, the Blanche Fischer Foundation was created from that trust, carrying forward her mission to support low income Oregonians with permanent physical disabilities.
Blanche’s inspiration for the Foundation came from an unexpected but deeply meaningful experience—her one-armed mechanic. She was struck by his skill, determination, and ingenuity, realizing that people with disabilities could thrive when given the right support and opportunities. Motivated by this insight, she ensured that her legacy would provide assistance that fosters independence, addresses specific needs, and creates new opportunities for those facing challenges.
Blanche’s impact extended far beyond the Foundation she inspired. She was deeply committed to community-driven philanthropy and ensuring that resources were available for those in need. Her forward-thinking vision aligned with the values of organizations like the Oregon Community Foundation, reinforcing her lasting influence on Oregon’s philanthropic landscape.
Whether through her art, advocacy, or philanthropy, Blanche Fischer’s legacy continues to shape lives. Her vision, generosity, and unwavering spirit serve as a lasting testament to the power of opportunity and inclusion, ensuring a stronger, more equitable future for Oregonians with disabilities.
Blanche was also a talented artist and painter, using her creativity as another means of expression. Her artwork reflected her keen observation of the world, depth of thought, and appreciation for beauty and strength—qualities that also defined her advocacy and philanthropic vision.
Although Blanche passed away on May 8, 1980, her legacy of empowerment and advocacy lives on. She had the foresight to carefully establish a trust, ensuring that her vision would continue beyond her lifetime. In 1981, the Blanche Fischer Foundation was created from that trust, carrying forward her mission to support low income Oregonians with permanent physical disabilities.
Blanche’s inspiration for the Foundation came from an unexpected but deeply meaningful experience—her one-armed mechanic. She was struck by his skill, determination, and ingenuity, realizing that people with disabilities could thrive when given the right support and opportunities. Motivated by this insight, she ensured that her legacy would provide assistance that fosters independence, addresses specific needs, and creates new opportunities for those facing challenges.
Blanche’s impact extended far beyond the Foundation she inspired. She was deeply committed to community-driven philanthropy and ensuring that resources were available for those in need. Her forward-thinking vision aligned with the values of organizations like the Oregon Community Foundation, reinforcing her lasting influence on Oregon’s philanthropic landscape.
Whether through her art, advocacy, or philanthropy, Blanche Fischer’s legacy continues to shape lives. Her vision, generosity, and unwavering spirit serve as a lasting testament to the power of opportunity and inclusion, ensuring a stronger, more equitable future for Oregonians with disabilities.
Above: Blanche Fischer celebrates the dedication of the Driftwood Library in Lincoln City with Ann and Bill Shepherd, spring, 1980.
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